Drums

In Queen, Roger Taylor is the drummer and adds that extra flavor that is needed or you have no band! Drummers are also essential because they keep the beat to the song, and they also can make sounds unlike any instrument. It may be one of the easier instruments to learn, but hard to master.

Drums appear with wide geographic distribution in archaeological excavations from Neolithic times onward; one excavated in Moravia is dated to 6000 BCE. Early drums consisted of a section of hollowed tree trunk covered at one end with reptile or fish skin and were struck with the hands. Later the skin was taken from hunted game or cattle, and sticks were used. The double-headed drum came later, as did pottery drums in various shapes. The heads were fastened by several methods, some still in use. The skin might be secured to single-headed drums by pegs, nails, glue, buttoning (through holes in the membrane), or neck lacing (wrapping a cord around the membrane overlap). Double-headed drums were often directly cord-tensioned (i.e., through holes in the skin). Modern European orchestral drums often combine two hoops pressing against each head (one rolled in the skin, the other outside) with indirect lacing (i.e., to the hoops).

Drums typically have conspicuous extramusical functions—civil, message transmitting, and, particularly, religious. Credited with magical powers, they are frequently held sacred. In many societies their manufacture involves ritual. In East Africa, offerings such as cattle are made to the royal kettledrums, which not only symbolize the king’s power and status but also offer him supernatural protection.

The drum sound is produced by the vibration of a stretched membrane (it is thus classified as a membranophone within the larger category of percussion instruments). Basically, a drum is either a tube or a bowl of wood, metal, or pottery (the “shell”) covered at one or both ends by a membrane (the “head”), which is usually struck by a hand or stick. Friction drums, a class apart, are sounded by rubbing.

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