{"id":228,"date":"2013-03-12T23:04:18","date_gmt":"2013-03-12T23:04:18","guid":{"rendered":"http:\/\/blog.metu.edu.tr\/korkuyu\/?page_id=228"},"modified":"2015-04-04T14:42:07","modified_gmt":"2015-04-04T14:42:07","slug":"olduren-eglence","status":"publish","type":"page","link":"https:\/\/blog.metu.edu.tr\/korkuyu\/coplenmeler\/olduren-eglence\/","title":{"rendered":"\u00d6l\u00fcrcesine E\u011flenmek"},"content":{"rendered":"

Neil Postman<\/strong>‘dan d\u00fc\u015f\u00fcnceler,<\/p>\n

Stuart McMillen<\/strong>‘dan \u00e7izgiler : \u00d6l\u00fcrcesine E\u011flenmek<\/a><\/strong><\/p>\n

Arka Kapaktan:<\/strong> Televizyon bir cazibe merkezi olarak hayat\u0131m\u0131z\u0131n ba\u015fk\u00f6\u015fesine kuruldu. Yirmi d\u00f6rt saat yay\u0131n yapan kanallarla tam bir g\u00f6r\u00fcnt\u00fc sarho\u015flu\u011fu ya\u015f\u0131yoruz. Al\u0131\u015fkanl\u0131klar\u0131m\u0131z, konu\u015fma bi\u00e7imimiz, ili\u015fkilerimiz televizyona endekslendi sanki. ‘E\u011flenceli’, ‘renkli’ bir hayat ya\u015famaya ba\u015flad\u0131k. Resmi ideolojinin yasakl\u0131lar\u0131, toplum k\u0131y\u0131s\u0131nda ya\u015fayanlar b\u00fct\u00fcn ‘giz’leriyle evlerimizde art\u0131k. Kameralar pervas\u0131zca mahremiyetimizin en \u00fccra k\u00f6\u015felerine giriyorlar. \u015eiddetin b\u00fct\u00fcn t\u00fcrleriyle tan\u0131\u015ft\u0131k. ‘Reality show’larla kan ve ac\u0131n\u0131n da bir sat\u0131\u015f de\u011feri oldu\u011funu, reklam alabileceklerini \u00f6\u011frendik. Kapitalizmin en temel \u00f6zelli\u011fi olan rekabetin insanlar\u0131 nas\u0131l vah\u015file\u015ftirdi\u011fini, i\u011fren\u00e7le\u015ftirdi\u011fini g\u00f6rd\u00fck. Duygular\u0131m\u0131z, tepkilerimiz, duyarl\u0131l\u0131klar\u0131m\u0131z t\u00f6rp\u00fclendi…<\/p>\n

Tek sesli devlet televizyonunun ard\u0131ndan gelen bu denli \u00e7ok se\u00e7enek kar\u015f\u0131s\u0131nda nihayet ‘demokratikle\u015fti\u011fimize’ inand\u0131k; uzaktan kumanda aletini ‘\u00f6zg\u00fcrce’ kullanma hazz\u0131yla kendi ‘g\u00fcc\u00fcm\u00fcz\u00fcn’ fark\u0131na vard\u0131k. Peki, hayat\u0131m\u0131z\u0131 b\u00f6ylesine de\u011fi\u015ftiren televizyon nedir? \u0130leti\u015fim kuramc\u0131s\u0131 Neil Postman on be\u015f bin radyo ve televizyon kanal\u0131na sahip televizyon \u00e7\u0131lg\u0131n\u0131 ABD’den hareket ederek s\u00f6z ve yaz\u0131 merkezli d\u00f6nemlerle g\u00f6r\u00fcnt\u00fc merkezli d\u00f6nem aras\u0131ndaki k\u00fclt\u00fcrel farkl\u0131l\u0131klar\u0131 ‘hakikat’ ve ‘kamu s\u00f6ylemi’ a\u00e7\u0131s\u0131ndan ele al\u0131yor. Ona g\u00f6re, kitab\u0131n nitelikli bir kamusal s\u00f6ylem i\u00e7in etkin bir rol oynad\u0131\u011f\u0131, d\u00fc\u015f\u00fcnmeyi derinle\u015ftirdi\u011fi, ciddilik, tutarl\u0131l\u0131k, s\u00fcreklilik ve b\u00fct\u00fcnl\u00fck gibi kavramlar\u0131n ya\u015fama imk\u00e2nlar\u0131 buldu\u011fu Yorum \u00c7a\u011f\u0131 daha hakiki.<\/p>\n

G\u00f6steri \u00c7a\u011f\u0131<\/strong><\/em> ise ideolojinin yerine kozmeti\u011fin ge\u00e7ti\u011fi, hakikatin imaja yenik d\u00fc\u015ft\u00fc\u011f\u00fc, her \u015feyin ‘e\u011flenceli’ bir bi\u00e7imde sunularak i\u00e7eriksizle\u015ftirildi\u011fi, m\u00fcthi\u015f bir enformasyon bombard\u0131man\u0131n\u0131n insanlar\u0131 par\u00e7alara ay\u0131rarak tepkisizle\u015ftirdi\u011fi, haf\u0131zan\u0131n kayboldu\u011fu, alg\u0131laman\u0131n ve muhakeme yetene\u011finin azald\u0131\u011f\u0131 bir d\u00f6nem. Hayat\u0131m\u0131z hakk\u0131nda karar verilen yer oldu\u011fu i\u00e7in \u00e7ok ciddiye al\u0131nmas\u0131 gereken politika art\u0131k fikre de\u011fil g\u00f6r\u00fcnt\u00fcye dayand\u0131r\u0131l\u0131yor (ABD eski ba\u015fkanlar\u0131ndan Richard Nixon se\u00e7imi makyajc\u0131s\u0131n\u0131n sabotaj\u0131 y\u00fcz\u00fcnden kaybetti\u011fini s\u00f6ylemi\u015f) ; halk\u0131n zihnine kaz\u0131nacak g\u00f6r\u00fcnt\u00fcleri tasarlayan imaj y\u00f6neticisinin cilalad\u0131\u011f\u0131 ‘\u015fovmen politikac\u0131’ tipi, partinin yerine ge\u00e7iyor…<\/p>\n

Postman bizi, duygular\u0131m\u0131z\u0131 ehlile\u015ftiren renklerin \u00f6tesine, e\u011flendi\u011fimiz \u015feyin ne oldu\u011funu d\u00fc\u015f\u00fcnmeye \u00e7a\u011f\u0131r\u0131yor. D\u00dc\u015e\u00dcNMEYE!<\/strong> O kadar! Yeter \u00e7\u00fcnk\u00fc!<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Neil Postman‘dan d\u00fc\u015f\u00fcnceler, Stuart McMillen‘dan \u00e7izgiler : \u00d6l\u00fcrcesine E\u011flenmek Arka Kapaktan: Televizyon bir cazibe merkezi olarak hayat\u0131m\u0131z\u0131n ba\u015fk\u00f6\u015fesine kuruldu. Yirmi d\u00f6rt saat yay\u0131n yapan kanallarla tam bir g\u00f6r\u00fcnt\u00fc sarho\u015flu\u011fu ya\u015f\u0131yoruz. Al\u0131\u015fkanl\u0131klar\u0131m\u0131z, konu\u015fma bi\u00e7imimiz, ili\u015fkilerimiz televizyona endekslendi sanki. ‘E\u011flenceli’, ‘renkli’ bir … Okumaya devam et →<\/span><\/a><\/p>\n","protected":false},"author":785,"featured_media":0,"parent":51,"menu_order":1,"comment_status":"open","ping_status":"open","template":"showcase.php","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-228","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.metu.edu.tr\/korkuyu\/wp-json\/wp\/v2\/pages\/228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.metu.edu.tr\/korkuyu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.metu.edu.tr\/korkuyu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.metu.edu.tr\/korkuyu\/wp-json\/wp\/v2\/users\/785"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.metu.edu.tr\/korkuyu\/wp-json\/wp\/v2\/comments?post=228"}],"version-history":[{"count":0,"href":"https:\/\/blog.metu.edu.tr\/korkuyu\/wp-json\/wp\/v2\/pages\/228\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/blog.metu.edu.tr\/korkuyu\/wp-json\/wp\/v2\/pages\/51"}],"wp:attachment":[{"href":"https:\/\/blog.metu.edu.tr\/korkuyu\/wp-json\/wp\/v2\/media?parent=228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}